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Home : Cameras - Special Application : Hitachi Kokusai Electric America Ltd. - SK-HD1300-ST
Hitachi Kokusai Electric America Ltd. - SK-HD1300-ST
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Progressive HDTV Production Camera

Model: SK-HD1300-ST

  • CU-HD1300FT with options for SMPTE fiber and/or triax cable connections:
  • CU-HD1300F connected via SMPTE fiber outputs upconverted 4K/UHD SDI.
  • CU-HD1300T connected via triax cable outputs 1080/60p, 1080i, 720p and SD-SDI.
  • NEW 2/3-inch, 1080/60p, progressively scanned, (Ultra-Advanced) UAIT-MOS sensors.
  • 1,100TVL standard resolution.
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The SK-HD1300 is Hitachi’s top progressive scan HD Studio and EFP camera. Outstanding images are acquired by three 2/3 inch 2.3 megapixel progressive scan MOS imagers. Hitachi’s implementation of the most advanced digital processing technology provides extremely low-noise pictures. Selectable High Dynamic Range profiles provide outputs of 1080/60p, 1080i, 720p and SD-SDI.

A new CU-HD1300(X) is a multi-format CCU that optionally connects to long-range triax and/or SMPTE fiber optic cable by simply switching the camera head adapters. Optional CCU versions include 12G upconverted output with simultaneous SDR and HDR out with individual adjustments. A different CCU version offers ST 2110 Video over IP.

  • CU-HD1300FT with options for SMPTE fiber and/or triax cable connections:
  • CU-HD1300F connected via SMPTE fiber outputs upconverted 4K/UHD SDI.
  • CU-HD1300T connected via triax cable outputs 1080/60p, 1080i, 720p and SD-SDI.
  • NEW 2/3-inch, 1080/60p, progressively scanned, (Ultra-Advanced) UAIT-MOS sensors.
  • 1,100TVL standard resolution.
  • 62dB signal to noise ratio (1080/60p without noise reduction)
  • 3Gbps progressive HD-SDI signal handling from end-to-end.
  • Switchable between progressive and interlaced signal processing, transport and outputs.
  • Multi-format global design outputs signals for most TV broadcast and production standards.
  • SMPTE-311M hybrid optical fiber cable provides transmission and camera power up to
  • 9,842 feet.
  • Advanced triax system with ultra-low-latency H-264 codec and multilevel digital modulation for long cable runs.
  • Triax cable length up to
  • 4,250 feet with 9232 1/2 inch triax cable.
  • 2,300 feet with 9267 3/8” triax. (1080i mode).
  • The camera can operate with common-off-the-shelf Single-Mode fiber (with external camera head power).
  • Single-Mode fiber can be used up to 10Km (
  • 33,000ft.) without external adapters, accessories or modifications.
  • High Dynamic Range with selectable PQ and multiple HLG profiles. Optional Dual Workflow HDR and SDR.
  • NEW control panels (SU-1000 and RU-1500 series) can control up to 128 cameras with a TCP/IP network.
  • CCUs can be addressed and controlled via a common TCP/IP data network.
  • Dual 5-position motorized filter wheel is optionally available.
  • Low power 24W consumption (camera head + lens + optical cable adapter)
  • 2-piece dockable design improves maintenance and equipment flexibility.
  • Choice of multiple joystick or rotary-knob operation panels
  • Prompter and talent monitor power and video outputs available at the camera head.
  • Independent HD-SDI VF output for crane or Jib installations.
  • VF Focus assist (VF Area marker, Focus indicator and gauge)
  • Large selection of studio, EFP and ENG viewfinders.
  • Digital optical extender function
  • 2 independent CCU Returns, inputs can be HD-SDI single or dual link, or SD analog or digital selectable
  • Full automatic setup using Gray Scale.
  • Digital registration or lens’ lateral chromatic aberration adjustment.
  • RLAC: Real-time Lens Aberration Correction makes the best 2/3-in HDTV lenses look even better.
  • Direct data transfer from SU or SD memory cards used at camera head and control panels.
  • HD signal linear masking and 12-vector color painting.
  • Independent control of HD and SDTV detail
  • Ultra Gamma (Selectable Gamma table).
  • Black stretch/ black press.
  • Preset Masking (6 settings: DEFAULT, ITU-709, SMPTE-240M, SMPTE-2020, NTSC, EBU).
  • 2 channel Flesh-tone masking and multiple memory Flesh-tone detail correction settings.
  • Knee saturation and Knee detail functions.
  • Real-time and offline diagnostic system with character display superimposed on PIX video output.
  • Accepts Analog VBS/BBS or HD Tri-level sync as genlock.
  • Configuration:
  • Available Studio Adapter for use with all Broadcast box, compact studio and hand-held 2/3-inch bayonet lenses.
  • Cable-less Studio Adapter interface allows trouble free operation.
  • 2-piece dockable design allows easy configuration change and maintenance.
  • Maintains backwards compatibility with existing HITACHI HDTV control panels, cables, and viewfinders.
  • Ethernet control and assignment of control panels and CCUs.
  • Can operate over Single Mode Fiber (SMF) without expensive converters.
 
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